![]() ![]() Once added, right-click individual tracks and choose to rename them. Add enough video and audio tracks to get most of your projects started. ![]() Start by right-clicking an existing track and choose “Add Tracks”. Again, you’ll know your projects better than anyone, so create according to your own needs. Some examples of top-level bins that could prove handy are “Footage”, “Graphics” (you can put the Motion Graphic folder Premiere generates in here), “Audio”, “Stock Footage”, and so on. Number your bins so they stay in order, and create sub-bins for things you might use a lot. Let’s begin by creating a handful of bins in the Project Panel. Not having to configure the font face, size, style and other attributes each time will keep the project looking and feeling consistent. This doesn’t seem like a huge time-saver until you’re called upon to make a bunch of unique titles. Both clips would maintain their Film Dissolves and clip length, but be totally free to change without affecting the other. While many self-taught editors don’t bother with slipping and sliding in the timeline, it’s definitely worth the short amount of time needed to learn and become proficient with these tools for editing in Premiere Pro.įor example, if you cloned a lower third that said “Tuesday, 5 pm” that was 3 seconds long with a Film Dissolve that lasts 15 frames at the beginning and end of it, you’d be able to change the newly-cloned second lower third to say “Wednesday, 9 am” without changing the original. So, how does an editor speed things up without rushing and making a handful of mistakes? Like all pros, it’s important for video pros to streamline their workflow to keep projects moving forward on-time and under budget.įor this article, we’ll jump past some of the obvious hacks, like knowing what all of the native tools do. Whether they’re completing tasks for a studio or a client as a freelancer, working smarter beats working harder. We’re here to give you tips and tricks on how to speed up your Premiere Pro workflow. Content needs to educate, illuminate or entertain, clients and bosses need to be kept happy, and work needs to come in and be delivered at a pace that allows an editor to sustain their life. The cornerstone of every great editor is their ability to exceed the expectations of those in their world. ![]()
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